Tags: IFMCA Awards

Ganadores de los International Film Music Critics Association Awards

- 21/02/22 30 Comentarios

- James Newton Howard consigue tres premios

- El musical neerlandés 'Coppelia' se impone en la categoría principal

- El español Oscar Martín Leanizbarrutia se lleva al premio al mejor compositor revelación

BANDA SONORA DEL AÑO 

• COPPELIA, music by Maurizio Malagnini

• DUNE, music by Hans Zimmer

• THE GREEN KNIGHT, music by Daniel Hart

• JUNGLE CRUISE, music by James Newton Howard

• THE LAST DUEL, music by Harry Gregson-Williams

COMPOSITOR DEL AÑO

• PANU AALTIO

• NICHOLAS BRITELL

• JONNY GREENWOOD

• JAMES NEWTON HOWARD

• HANS ZIMMER

COMPOSITOR REVELACIÓN

• AMIE DOHERTY

• STEPHANIE ECONOMOU

• OSCAR MARTÍN LEANIZBARRUTIA

• ARTHUR SHARPE

• RAPHAELLE THIBAUT

MEJOR COMPOSICIÓN DEL AÑO

• “Arachnoverture” from SPIDER-MAN: NO WAY HOME, music by Michael Giacchino

• “Claret, Tema Principal” from CLARET, music by Oscar Martín Leanizbarrutia

• “The Final Battle” from MY COUNTRY, MY PARENTS [WO HE WO DE FUBEI], music by Gordy Haab

• “Grand Finale” from COPPELIA, music by Maurizio Malagnini

• “Riddles” from BUCKLEY’S CHANCE, music by Christopher Gordon

MEJOR BANDA SONORA EN PELÍCULA DRAMÁTICA

• BUCKLEY’S CHANCE, music by Christopher Gordon

• THE CURSE OF TURANDOT [TULANDUO: MOZHOU YUANQI], music by Simon Franglen

• THE LAST DUEL, music by Harry Gregson-Williams

• THE POWER OF THE DOG, music by Jonny Greenwood

• SPENCER, music by Jonny Greenwood

MEJOR BANDA SONORA EN PELÍCULA DE COMEDIA

• CRUELLA, music by Nicholas Britell

• DÉLICIEUX, music by Christophe Julien

• DON’T LOOK UP, music by Nicholas Britell

• THE FRENCH DISPATCH, music by Alexandre Desplat

• THE POTATO VENTURE [PERUNA], music by Panu Aaltio

MEJOR BANDA SONORA EN PELÍCULA DE ACCIÓN/AVENTURA/THRILLER

• GUNPOWDER MILKSHAKE, music by Frank Ilfman

• JUNGLE CRUISE, music by James Newton Howard

• THE KING’S MAN, music by Matthew Margeson and Dominic Lewis

• LAST NIGHT IN SOHO, music by Steven Price

• NO TIME TO DIE, music by Hans Zimmer

MEJOR BANDA SONORA EN PELÍCULA DE FANTASÍA/CIENCIA FICCIÓN/TERROR 

• COPPELIA, music by Maurizio Malagnini

• DUNE, music by Hans Zimmer

• GHOSTBUSTERS: AFTERLIFE, music by Rob Simonsen

• THE GREEN KNIGHT, music by Daniel Hart

• SPIDER-MAN: NO WAY HOME, music by Michael Giacchino

MEJOR BANDA SONORA EN PELÍCULA DE ANIMACIÓN

• ENCANTO, music by Germaine Franco

• LUCA, music by Dan Romer

• RAYA AND THE LAST DRAGON, music by James Newton Howard

• SPIRIT UNTAMED, music by Amie Doherty

• WISH DRAGON, music by Philip Klein

MEJOR BANDA SONORA EN PELÍCULA DOCUMENTAL 

• THE ARCTIC: OUR LAST GREAT WILDERNESS, music by Alex Heffes

• JULIA, music by Rachel Portman

• A PERFECT PLANET, music by Ilan Eshkeri

• QINGHAI: OUR NATIONAL PARK [QINGHAI: WOMEN DE GUOJIA GONGYUAN], music by Chad Cannon

• TALE OF THE SLEEPING GIANTS [TUNTURIN TARINA], music by Panu Aaltio

MEJOR BANDA SONORA EN SERIE DE TV

• COBRA KAI, music by Leo Birenberg and Zach Robinson

• FOUNDATION, music by Bear McCreary

• LOKI, music by Natalie Holt

• LOST IN SPACE, music by Christopher Lennertz

• MASTERS OF THE UNIVERSE: REVELATION, music by Bear McCreary

MEJOR BANDA SONORA EN VIDEOJUEGO O MEDIO INTERACTIVO

• ARK: GENESIS PART II, music by Gareth Coker

• CALL OF DUTY: VANGUARD, music by Bear McCreary

• GHOST OF TSUSHIMA: IKI ISLAND & LEGENDS, music by Chad Cannon and Bill Hemstapat, theme by Ilan Eshkeri

• MARVEL’S GUARDIANS OF THE GALAXY, music by Richard Jacques

• RATCHET & CLANK: RIFT APART, music by Mark Mothersbaugh and Wataru Hokoyama

MEJOR RELANZAMIENTO O REGRABACIÓN DE UNA BANDA SONORA 

• THE DIARY OF ANNE FRANK, music by Alfred Newman; album produced by Nick Redman, Mike Matessino, and Neil S. Bulk; liner notes by Julie Kirgo; album art direction by Jim Titus (La-La Land)

• THE EIGER SANCTION, music by John Williams; album produced by Mike Matessino; liner notes by Jon Burlingame; album art direction by Kay Marshall (Intrada)

• LEGEND, music by Jerry Goldsmith; album produced by Cyril Durand-Roger, Laurent Lafarge, Reynold d’Silva, and David Stoner; liner notes by Jeff Bond; album art direction by David Marques (Music Box/Silva Screen)

• LIONHEART, music by Jerry Goldsmith; album produced by Cary Mansfield; liner notes by Tim Grieving; album art direction by Bill Pitzonka (Varèse Sarabande)

• THE TAMARIND SEED, music by John Barry; album produced by Geoff Leonard, Pete Walker, Ruud Rozemeijer, David Stoner, and Reynold d’Silva; liner notes by Geoff Leonard and Pete Walker; album art direction by Stuart Ford (Silva Screen)

MEJOR COMPILACIÓN 

• THE FILM SCORES OF BERNARD HERRMANN, music by Bernard Herrmann; album produced by Tony d’Amato, Gavin Barratt, Raymond Few, and Tim McDonald; liner notes by Tom Schneller; album art direction by Matt Read (Phase 4/Deutsche Grammophon)

• GABRIEL YARED: MUSIC FOR FILM, music by Gabriel Yared; the Brussels Philharmonic Orchestra and Vlaams Radiokoor. conducted by Dirk Brossé; album produced by Thomas Van Parys and Marijke Vandeburie; liner notes by Thomas Van Parys; album art direction by Stuart Ford (Silva Screen/Film Fest Gent)

• PEDRO ALMODÓVAR & ALBERTO IGLESIAS FILM MUSIC COLLECTION, music by Alberto Iglesias; album produced by José M. Benitez and Alberto Iglesias; liner notes by Pedro Almodóvar, Alberto Iglesias, and Manuel J. Lombardo; album art direction by Nacho B. Govantes and Luca Barcellona (Quartet/El Deseo)

• THE PINK PANTHER FINAL CHAPTERS COLLECTION (TRAIL OF THE PINK PANTHER/CURSE OF THE PINK PANTHER/SON OF THE PINK PANTHER), music by Henry Mancini; album produced by Chris Malone; liner notes by John Takis; album art direction by Nacho B. Govantes. (Quartet)

• SPOTLIGHT ON JOHN WILLIAMS, music by John Williams; the City Light Symphony Orchestra, conducted by Kevin Griffiths; album produced by Pirmin Zängerle and Martin Korn; liner notes by Basil Böhni; album art direction by Roger Krütli (Prospero Classical)

MEJOR COMPAÑÍA DISCOGRÁFICA

• INTRADA, Douglass Fake and Roger Feigelson

• LA-LA LAND RECORDS, MV Gerhard and Matt Verboys

• MOVIESCORE MEDIA, Mikael Carlsson

• MUSIC BOX, Cyril Durand-Roger and Laurent Lafarge

• QUARTET RECORDS, José M. Benitez

Tags: IFMCA Awards

Nominados a los International Film Music Critics Association Awards

- 05/02/22 8 Comentarios

- James Newton Howard y Hans Zimmer son los compositores más nominados con cuatro candidaturas

- Los ganadores se anunciarán el 17 de febrero

BANDA SONORA DEL AÑO 

• COPPELIA, music by Maurizio Malagnini

• DUNE, music by Hans Zimmer

• THE GREEN KNIGHT, music by Daniel Hart

• JUNGLE CRUISE, music by James Newton Howard

• THE LAST DUEL, music by Harry Gregson-Williams

COMPOSITOR DEL AÑO

• PANU AALTIO

• NICHOLAS BRITELL

• JONNY GREENWOOD

• JAMES NEWTON HOWARD

• HANS ZIMMER

COMPOSITOR REVELACIÓN

• AMIE DOHERTY

• STEPHANIE ECONOMOU

• OSCAR MARTÍN LEANIZBARRUTIA

• ARTHUR SHARPE

• RAPHAELLE THIBAUT

MEJOR COMPOSICIÓN DEL AÑO

• “Arachnoverture” from SPIDER-MAN: NO WAY HOME, music by Michael Giacchino

• “Claret, Tema Principal” from CLARET, music by Oscar Martín Leanizbarrutia

• “The Final Battle” from MY COUNTRY, MY PARENTS [WO HE WO DE FUBEI], music by Gordy Haab

• “Grand Finale” from COPPELIA, music by Maurizio Malagnini

• “Riddles” from BUCKLEY’S CHANCE, music by Christopher Gordon

MEJOR BANDA SONORA EN PELÍCULA DRAMÁTICA

• BUCKLEY’S CHANCE, music by Christopher Gordon

• THE CURSE OF TURANDOT [TULANDUO: MOZHOU YUANQI], music by Simon Franglen

• THE LAST DUEL, music by Harry Gregson-Williams

• THE POWER OF THE DOG, music by Jonny Greenwood

• SPENCER, music by Jonny Greenwood

MEJOR BANDA SONORA EN PELÍCULA DE COMEDIA

• CRUELLA, music by Nicholas Britell

• DÉLICIEUX, music by Christophe Julien

• DON’T LOOK UP, music by Nicholas Britell

• THE FRENCH DISPATCH, music by Alexandre Desplat

• THE POTATO VENTURE [PERUNA], music by Panu Aaltio

MEJOR BANDA SONORA EN PELÍCULA DE ACCIÓN/AVENTURA/THRILLER

• GUNPOWDER MILKSHAKE, music by Frank Ilfman

• JUNGLE CRUISE, music by James Newton Howard

• THE KING’S MAN, music by Matthew Margeson and Dominic Lewis

• LAST NIGHT IN SOHO, music by Steven Price

• NO TIME TO DIE, music by Hans Zimmer

MEJOR BANDA SONORA EN PELÍCULA DE FANTASÍA/CIENCIA FICCIÓN/TERROR 

• COPPELIA, music by Maurizio Malagnini

• DUNE, music by Hans Zimmer

• GHOSTBUSTERS: AFTERLIFE, music by Rob Simonsen

• THE GREEN KNIGHT, music by Daniel Hart

• SPIDER-MAN: NO WAY HOME, music by Michael Giacchino

MEJOR BANDA SONORA EN PELÍCULA DE ANIMACIÓN

• ENCANTO, music by Germaine Franco

• LUCA, music by Dan Romer

• RAYA AND THE LAST DRAGON, music by James Newton Howard

• SPIRIT UNTAMED, music by Amie Doherty

• WISH DRAGON, music by Philip Klein

MEJOR BANDA SONORA EN PELÍCULA DOCUMENTAL 

• THE ARCTIC: OUR LAST GREAT WILDERNESS, music by Alex Heffes

• JULIA, music by Rachel Portman

• A PERFECT PLANET, music by Ilan Eshkeri

• QINGHAI: OUR NATIONAL PARK [QINGHAI: WOMEN DE GUOJIA GONGYUAN], music by Chad Cannon

• TALE OF THE SLEEPING GIANTS [TUNTURIN TARINA], music by Panu Aaltio

MEJOR BANDA SONORA EN SERIE DE TV

• COBRA KAI, music by Leo Birenberg and Zach Robinson

• FOUNDATION, music by Bear McCreary

• LOKI, music by Natalie Holt

• LOST IN SPACE, music by Christopher Lennertz

• MASTERS OF THE UNIVERSE: REVELATION, music by Bear McCreary

MEJOR BANDA SONORA EN VIDEOJUEGO O MEDIO INTERACTIVO

• ARK: GENESIS PART II, music by Gareth Coker

• CALL OF DUTY: VANGUARD, music by Bear McCreary

• GHOST OF TSUSHIMA: IKI ISLAND & LEGENDS, music by Chad Cannon and Bill Hemstapat, theme by Ilan Eshkeri

• MARVEL’S GUARDIANS OF THE GALAXY, music by Richard Jacques

• RATCHET & CLANK: RIFT APART, music by Mark Mothersbaugh and Wataru Hokoyama

MEJOR RELANZAMIENTO O REGRABACIÓN DE UNA BANDA SONORA 

• THE DIARY OF ANNE FRANK, music by Alfred Newman; album produced by Nick Redman, Mike Matessino, and Neil S. Bulk; liner notes by Julie Kirgo; album art direction by Jim Titus (La-La Land)

• THE EIGER SANCTION, music by John Williams; album produced by Mike Matessino; liner notes by Jon Burlingame; album art direction by Kay Marshall (Intrada)

• LEGEND, music by Jerry Goldsmith; album produced by Cyril Durand-Roger, Laurent Lafarge, Reynold d’Silva, and David Stoner; liner notes by Jeff Bond; album art direction by David Marques (Music Box/Silva Screen)

• LIONHEART, music by Jerry Goldsmith; album produced by Cary Mansfield; liner notes by Tim Grieving; album art direction by Bill Pitzonka (Varèse Sarabande)

• THE TAMARIND SEED, music by John Barry; album produced by Geoff Leonard, Pete Walker, Ruud Rozemeijer, David Stoner, and Reynold d’Silva; liner notes by Geoff Leonard and Pete Walker; album art direction by Stuart Ford (Silva Screen)

MEJOR COMPILACIÓN 

• THE FILM SCORES OF BERNARD HERRMANN, music by Bernard Herrmann; album produced by Tony d’Amato, Gavin Barratt, Raymond Few, and Tim McDonald; liner notes by Tom Schneller; album art direction by Matt Read (Phase 4/Deutsche Grammophon)

• GABRIEL YARED: MUSIC FOR FILM, music by Gabriel Yared; the Brussels Philharmonic Orchestra and Vlaams Radiokoor. conducted by Dirk Brossé; album produced by Thomas Van Parys and Marijke Vandeburie; liner notes by Thomas Van Parys; album art direction by Stuart Ford (Silva Screen/Film Fest Gent)

• PEDRO ALMODÓVAR & ALBERTO IGLESIAS FILM MUSIC COLLECTION, music by Alberto Iglesias; album produced by José M. Benitez and Alberto Iglesias; liner notes by Pedro Almodóvar, Alberto Iglesias, and Manuel J. Lombardo; album art direction by Nacho B. Govantes and Luca Barcellona (Quartet/El Deseo)

• THE PINK PANTHER FINAL CHAPTERS COLLECTION (TRAIL OF THE PINK PANTHER/CURSE OF THE PINK PANTHER/SON OF THE PINK PANTHER), music by Henry Mancini; album produced by Chris Malone; liner notes by John Takis; album art direction by Nacho B. Govantes. (Quartet)

• SPOTLIGHT ON JOHN WILLIAMS, music by John Williams; the City Light Symphony Orchestra, conducted by Kevin Griffiths; album produced by Pirmin Zängerle and Martin Korn; liner notes by Basil Böhni; album art direction by Roger Krütli (Prospero Classical)

MEJOR COMPAÑÍA DISCOGRÁFICA

• INTRADA, Douglass Fake and Roger Feigelson

• LA-LA LAND RECORDS, MV Gerhard and Matt Verboys

• MOVIESCORE MEDIA, Mikael Carlsson

• MUSIC BOX, Cyril Durand-Roger and Laurent Lafarge

• QUARTET RECORDS, José M. Benitez

Tags: IFMCA Awards

Ganadores de los International Film Music Critics Association Awards

- 18/02/21 6 Comentarios

- 'La increíble historia de David Copperfield' recibe el premio a la mejor banda sonora del año

- Daniel Pemberton es elegido el mejor compositor gracias a sus trabajos en 'El juicio de los 7 de Chicago', 'Enola Holmes' y el documental 'Rising Phoenix'

BANDA SONORA DEL AÑO 

• THE CALL OF THE WILD, music by John Powell

• ENOLA HOLMES, music by Daniel Pemberton

• FUKUSHIMA 50, music by Tarō Iwashiro

• THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis

• WONDER WOMAN 1984, music by Hans Zimmer

COMPOSITOR DEL AÑO

• FEDERICO JUSID

• BEAR MCCREARY

• DANIEL PEMBERTON

• CHRISTOPHER WILLIS

• HANS ZIMMER

COMPOSITOR REVELACIÓN

• ALEX BARANOWSKI

• THOMAS CLAY

• PHILIP KLEIN

• NAMI MELUMAD

• ISOBEL WALLER-BRIDGE AND DAVID SCHWEITZER

MEJOR COMPOSICIÓN DEL AÑO

• “1984” from WONDER WOMAN 1984, music by Hans Zimmer

• “Buck Takes the Lead” from THE CALL OF THE WILD, music by John Powell

• “Main Title” from THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera

• “Symphonic Suite F - 1st Chapter: All Life” from FUKUSHIMA 50, music by Tarō Iwashiro

• “Themyscira” from WONDER WOMAN 1984, music by Hans Zimmer

MEJOR BANDA SONORA EN PELÍCULA DRAMÁTICA

• DA 5 BLOODS, music by Terence Blanchard

• FANNY LYE DELIVER’D, music by Thomas Clay

• FUKUSHIMA 50, music by Tarō Iwashiro

• NEWS OF THE WORLD, music by James Newton Howard

• THE TRIAL OF THE CHICAGO 7, music by Daniel Pemberton

MEJOR BANDA SONORA EN PELÍCULA DE COMEDIA

• AN AMERICAN PICKLE, music by Michael Giacchino and Nami Melumad

• EMMA, music by Isobel Waller-Bridge and David Schweitzer

• GODMOTHERED, music by Rachel Portman

• THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis

• WILD MOUNTAIN THYME, music by Amelia Warner

MEJOR BANDA SONORA EN PELÍCULA DE ACCIÓN/AVENTURA/THRILLER

• THE CALL OF THE WILD, music by John Powell

• ENOLA HOLMES, music by Daniel Pemberton

• MULAN, music by Harry Gregson-Williams

• ORÍGENES SECRETOS [UNKNOWN ORIGINS], music by Federico Jusid

• TENET, music by Ludwig Göransson

MEJOR BANDA SONORA EN PELÍCULA DE FANTASÍA/CIENCIA FICCIÓN/TERROR 

• THE INVISIBLE MAN, music by Benjamin Wallfisch

• THE MIDNIGHT SKY, music by Alexandre Desplat

• WENDY, music by Dan Romer and Benh Zeitlin

• THE WITCHES, music by Alan Silvestri

• WONDER WOMAN 1984, music by Hans Zimmer

MEJOR BANDA SONORA EN PELÍCULA DE ANIMACIÓN

• ANIMAL CRACKERS, music by Bear McCreary

• FEARLESS, music by Anne-Kathrin Dern

• ONWARD, music by Mychael Danna and Jeff Danna

• SOUL, music by Trent Reznor, Atticus Ross, and Jon Batiste

• WOLFWALKERS, music by Bruno Coulais

MEJOR BANDA SONORA EN PELÍCULA DOCUMENTAL 

• DAVID ATTENBOROUGH: A LIFE ON OUR PLANET, music by Steven Price

• ELEPHANT, music by Ramin Djawadi

• HARBOR FROM THE HOLOCAUST, music by Chad Cannon

• RISING PHOENIX, music by Daniel Pemberton

• SADAN HANIM, music by George Kallis

MEJOR BANDA SONORA EN SERIE DE TV

• DRACULA, music by David Arnold and Michael Price

• HIS DARK MATERIALS, music by Lorne Balfe

• LOVECRAFT COUNTRY, music by Laura Karpman and Raphael Saadiq

• THE MANDALORIAN, music by Ludwig Göransson

• THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera

MEJOR BANDA SONORA EN VIDEOJUEGO O MEDIO INTERACTIVO

• GHOST OF TSUSHIMA, music by Ilan Eshkeri and Shigeru Umebayashi

• MEDAL OF HONOR: ABOVE AND BEYOND, music by Michael Giacchino and Nami Melumad

• ORI AND THE WILL OF THE WISPS, music by Gareth Coker

• THE PATHLESS, music by Austin Wintory

• STAR WARS: SQUADRONS, music by Gordy Haab

MEJOR RELANZAMIENTO O REGRABACIÓN DE UNA BANDA SONORA 

• ENDLESS NIGHT, music by Bernard Herrmann; the Basque National Orchestra, conducted by Fernando Velázquez; album produced by Edouard Dubois and José M. Benitez; liner notes by Frank K. DeWald; album art direction by Nacho B. Govantes (Quartet)

• THE GOOD, THE BAD AND THE UGLY, music by Ennio Morricone; album produced by Chris Malone and José M. Benitez; liner notes by Chris Malone and Tim Greiving; album art direction by Nacho B. Govantes (Quartet)

• HOW TO TRAIN YOUR DRAGON, music by John Powell; album produced by John Powell, Batu Sener, Bryon Davis, and Cary E. Mansfield; liner notes by Tim Greiving; album art direction by Bill Pitzonka (Varèse Sarabande/5 Cat Studios)

• KING OF KINGS, music by Miklós Rózsa; the City of Prague Philharmonic Orchestra and Chorus, conducted by Nic Raine; album produced by James Fitzpatick; liner notes by Frank K. DeWald and James Fitzpatrick; album art direction by Nic Finch, Gareth Bevan, and James Fitzpatrick (Tadlow Music)

• ROBIN HOOD: PRINCE OF THIEVES, music by Michael Kamen; album produced by Douglass Fake and Roger Feigelson; liner notes by Frank K. DeWald; album art direction by Kay Marshall (Intrada)

MEJOR COMPILACIÓN 

• FRANZ WAXMAN: THE DOCUMENTARIES, music by Franz Waxman; album produced by Ford A. Thaxton and James Nelson; liner notes by Jon Burlingame; album art direction by Mark Banning (Dragon’s Domain)

• JOHN WILLIAMS IN VIENNA, music by John Williams; the Wiener Philharmoniker and Anne-Sophie Mutter, conducted by John Williams; album produced by Bernhard Güttler; liner notes by Otta Biba; album art direction by Büro Dirk Rudolph (Deutsche Grammophon)

• MORRICONE SEGRETO, music by Ennio Morricone; album produced by Pierpaolo De Sanctis; album art direction by Leonardo Pellegrino (Decca)

• VOYAGE TO THE BOTTOM OF THE SEA, music by Alexander Courage, Robert Drasnin, Jerry Goldsmith, Lennie Hayton, Joseph Mullendore, Nelson Riddle, Paul Sawtell, Herman Stein, and Leith Stevens; album produced by Jeff Bond and Neil S. Bulk; liner notes by Jeff Bond; album art direction by Mark Banning (La-La Land)

• WORLD SOUNDTRACK AWARDS - TRIBUTE TO THE FILM COMPOSER, music by Various Composers; the Brussels Philharmonic Orchestra and Vlaams Radiokoor, conducted by Dirk Brossé; album produced by Thomas Van Parys; liner notes by Thomas Van Parys; album art direction by Stuart Ford (Silva Screen/Film Fest Ghent)

MEJOR COMPAÑÍA DISCOGRÁFICA

• INTRADA RECORDS, Douglass Fake and Roger Feigelson

• LA-LA LAND RECORDS, MV Gerhard and Matt Verboys

• MOVIESCORE MEDIA, Mikael Carlsson

• QUARTET RECORDS, José M. Benitez

• TADLOW MUSIC, James Fitzpatrick

Tags: IFMCA Awards / mejor música

Nominados a los International Film Music Critics Association Awards

- 04/02/21 5 Comentarios

- Las nominaciones de la IFMCA presentan un quinteto enormemente original en su categoría principal

- Los ganadores se anunciarán el 18 de febrero

BANDA SONORA DEL AÑO 

• THE CALL OF THE WILD, music by John Powell

• ENOLA HOLMES, music by Daniel Pemberton

• FUKUSHIMA 50, music by Tarō Iwashiro

• THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis

• WONDER WOMAN 1984, music by Hans Zimmer

COMPOSITOR DEL AÑO

• FEDERICO JUSID

• BEAR MCCREARY

• DANIEL PEMBERTON

• CHRISTOPHER WILLIS

• HANS ZIMMER

COMPOSITOR REVELACIÓN

• ALEX BARANOWSKI

• THOMAS CLAY

• PHILIP KLEIN

• NAMI MELUMAD

• ISOBEL WALLER-BRIDGE AND DAVID SCHWEITZER

MEJOR COMPOSICIÓN DEL AÑO

• “1984” from WONDER WOMAN 1984, music by Hans Zimmer

• “Buck Takes the Lead” from THE CALL OF THE WILD, music by John Powell

• “Main Title” from THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera

• “Symphonic Suite F - 1st Chapter: All Life” from FUKUSHIMA 50, music by Tarō Iwashiro

• “Themyscira” from WONDER WOMAN 1984, music by Hans Zimmer

MEJOR BANDA SONORA EN PELÍCULA DRAMÁTICA

• DA 5 BLOODS, music by Terence Blanchard

• FANNY LYE DELIVER’D, music by Thomas Clay

• FUKUSHIMA 50, music by Tarō Iwashiro

• NEWS OF THE WORLD, music by James Newton Howard

• THE TRIAL OF THE CHICAGO 7, music by Daniel Pemberton

MEJOR BANDA SONORA EN PELÍCULA DE COMEDIA

• AN AMERICAN PICKLE, music by Michael Giacchino and Nami Melumad

• EMMA, music by Isobel Waller-Bridge and David Schweitzer

• GODMOTHERED, music by Rachel Portman

• THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis

• WILD MOUNTAIN THYME, music by Amelia Warner

MEJOR BANDA SONORA EN PELÍCULA DE ACCIÓN/AVENTURA/THRILLER

• THE CALL OF THE WILD, music by John Powell

• ENOLA HOLMES, music by Daniel Pemberton

• MULAN, music by Harry Gregson-Williams

• ORÍGENES SECRETOS [UNKNOWN ORIGINS], music by Federico Jusid

• TENET, music by Ludwig Göransson

MEJOR BANDA SONORA EN PELÍCULA DE FANTASÍA/CIENCIA FICCIÓN/TERROR 

• THE INVISIBLE MAN, music by Benjamin Wallfisch

• THE MIDNIGHT SKY, music by Alexandre Desplat

• WENDY, music by Dan Romer and Benh Zeitlin

• THE WITCHES, music by Alan Silvestri

• WONDER WOMAN 1984, music by Hans Zimmer

MEJOR BANDA SONORA EN PELÍCULA DE ANIMACIÓN

• ANIMAL CRACKERS, music by Bear McCreary

• FEARLESS, music by Anne-Kathrin Dern

• ONWARD, music by Mychael Danna and Jeff Danna

• SOUL, music by Trent Reznor, Atticus Ross, and Jon Batiste

• WOLFWALKERS, music by Bruno Coulais

MEJOR BANDA SONORA EN PELÍCULA DOCUMENTAL 

• DAVID ATTENBOROUGH: A LIFE ON OUR PLANET, music by Steven Price

• ELEPHANT, music by Ramin Djawadi

• HARBOR FROM THE HOLOCAUST, music by Chad Cannon

• RISING PHOENIX, music by Daniel Pemberton

• SADAN HANIM, music by George Kallis

MEJOR BANDA SONORA EN SERIE DE TV

• DRACULA, music by David Arnold and Michael Price

• HIS DARK MATERIALS, music by Lorne Balfe

• LOVECRAFT COUNTRY, music by Laura Karpman and Raphael Saadiq

• THE MANDALORIAN, music by Ludwig Göransson

• THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera

MEJOR BANDA SONORA EN VIDEOJUEGO O MEDIO INTERACTIVO

• GHOST OF TSUSHIMA, music by Ilan Eshkeri and Shigeru Umebayashi

• MEDAL OF HONOR: ABOVE AND BEYOND, music by Michael Giacchino and Nami Melumad

• ORI AND THE WILL OF THE WISPS, music by Gareth Coker

• THE PATHLESS, music by Austin Wintory

• STAR WARS: SQUADRONS, music by Gordy Haab

MEJOR RELANZAMIENTO O REGRABACIÓN DE UNA BANDA SONORA 

• ENDLESS NIGHT, music by Bernard Herrmann; the Basque National Orchestra, conducted by Fernando Velázquez; album produced by Edouard Dubois and José M. Benitez; liner notes by Frank K. DeWald; album art direction by Nacho B. Govantes (Quartet)

• THE GOOD, THE BAD AND THE UGLY, music by Ennio Morricone; album produced by Chris Malone and José M. Benitez; liner notes by Chris Malone and Tim Greiving; album art direction by Nacho B. Govantes (Quartet)

• HOW TO TRAIN YOUR DRAGON, music by John Powell; album produced by John Powell, Batu Sener, Bryon Davis, and Cary E. Mansfield; liner notes by Tim Greiving; album art direction by Bill Pitzonka (Varèse Sarabande/5 Cat Studios)

• KING OF KINGS, music by Miklós Rózsa; the City of Prague Philharmonic Orchestra and Chorus, conducted by Nic Raine; album produced by James Fitzpatick; liner notes by Frank K. DeWald and James Fitzpatrick; album art direction by Nic Finch, Gareth Bevan, and James Fitzpatrick (Tadlow Music)

• ROBIN HOOD: PRINCE OF THIEVES, music by Michael Kamen; album produced by Douglass Fake and Roger Feigelson; liner notes by Frank K. DeWald; album art direction by Kay Marshall (Intrada)

MEJOR COMPILACIÓN 

• FRANZ WAXMAN: THE DOCUMENTARIES, music by Franz Waxman; album produced by Ford A. Thaxton and James Nelson; liner notes by Jon Burlingame; album art direction by Mark Banning (Dragon’s Domain)

• JOHN WILLIAMS IN VIENNA, music by John Williams; the Wiener Philharmoniker and Anne-Sophie Mutter, conducted by John Williams; album produced by Bernhard Güttler; liner notes by Otta Biba; album art direction by Büro Dirk Rudolph (Deutsche Grammophon)

• MORRICONE SEGRETO, music by Ennio Morricone; album produced by Pierpaolo De Sanctis; album art direction by Leonardo Pellegrino (Decca)

• VOYAGE TO THE BOTTOM OF THE SEA, music by Alexander Courage, Robert Drasnin, Jerry Goldsmith, Lennie Hayton, Joseph Mullendore, Nelson Riddle, Paul Sawtell, Herman Stein, and Leith Stevens; album produced by Jeff Bond and Neil S. Bulk; liner notes by Jeff Bond; album art direction by Mark Banning (La-La Land)

• WORLD SOUNDTRACK AWARDS - TRIBUTE TO THE FILM COMPOSER, music by Various Composers; the Brussels Philharmonic Orchestra and Vlaams Radiokoor, conducted by Dirk Brossé; album produced by Thomas Van Parys; liner notes by Thomas Van Parys; album art direction by Stuart Ford (Silva Screen/Film Fest Ghent)

MEJOR COMPAÑÍA DISCOGRÁFICA

• INTRADA RECORDS, Douglass Fake and Roger Feigelson

• LA-LA LAND RECORDS, MV Gerhard and Matt Verboys

• MOVIESCORE MEDIA, Mikael Carlsson

• QUARTET RECORDS, José M. Benitez

• TADLOW MUSIC, James Fitzpatrick

Tags: IFMCA Awards / mejor música

Ganadores de los International Film Music Critics Association Awards

- 22/02/18 2 Comentarios

- 'El hilo invisible' consigue el premio a la Mejor Banda Sonora en los IFMCA Awards

- Jonny Greenwood, Michael Giacchino y Benjamin Wallfisch son los compositores más premiados con tres galardones

BANDA SONORA DEL AÑO 

PHANTOM THREAD, Jonny Greenwood
THE POST, John Williams
THE SHAPE OF WATER, Alexandre Desplat
STAR WARS: THE LAST JEDI, John Williams
WAR FOR THE PLANET OF THE APES, Michael Giacchino

COMPOSITOR DEL AÑO
ALEXANDRE DESPLAT
MICHAEL GIACCHINO
DANIEL PEMBERTON
BENJAMIN WALLFISCH
JOHN WILLIAMS

COMPOSITOR REVELACIÓN
MICHAEL ABELS
ANNE-KATHRIN DERN
GEORGE KALLIS
ALEJANDRO VIVAS
CHRISTOPHER WILLIS

MEJOR COMPOSICIÓN DEL AÑO
“End Credits” de WAR FOR THE PLANET OF THE APES, Michael Giacchino
“Finale” de STAR WARS: THE LAST JEDI, John Williams
“Growing Up in Londinium” de KING ARTHUR: LEGEND OF THE SWORD, Daniel Pemberton
“Justice” de MURDER ON THE ORIENT EXPRESS, Patrick Doyle
“Love” de THE BOSS BABY, Hans Zimmer, Steve Mazzaro y Conrad Pope

MEJOR BANDA SONORA EN PELÍCULA DRAMÁTICA
ALL THE MONEY IN THE WORLD, Daniel Pemberton
DARKEST HOUR, Dario Marianelli
MURDER ON THE ORIENT EXPRESS, Patrick Doyle
PHANTOM THREAD, Jonny Greenwood
THE POST, John Williams

MEJOR BANDA SONORA EN PELÍCULA DE COMEDIA
THE DEATH OF STALIN, Christopher Willis
DOWNSIZING, Rolfe Kent
KNOCK, Cyrille Aufort
PADDINGTON 2, Dario Marianelli
THEIR FINEST, Rachel Portman

MEJOR BANDA SONORA EN PELÍCULA DE ACCIÓN/AVENTURA/THRILLER
A CURE FOR WELLNESS, Benjamin Wallfisch
JUMANJI: WELCOME TO THE JUNGLE, Henry Jackman
KING ARTHUR: LEGEND OF THE SWORD, Daniel Pemberton
PLAN DE FUGA, Pascal Gaigne
THE RENDEZVOUS, Austin Wintory

MEJOR BANDA SONORA EN PELÍCULA DE FANTASÍA/CIENCIA FICCIÓN/TERROR 
GET OUT, Michael Abels
THE SHAPE OF WATER, Alexandre Desplat
STAR WARS: THE LAST JEDI, John Williams
VALERIAN AND THE CITY OF A THOUSAND PLANETS, Alexandre Desplat
WAR FOR THE PLANET OF THE APES, Michael Giacchino

MEJOR BANDA SONORA EN PELÍCULA DE ANIMACIÓN
CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE, Theodore Shapiro
COCO, Michael Giacchino
THE EMOJI MOVIE, Patrick Doyle
FERDINAND, John Powell
LOVING VINCENT, Clint Mansell

MEJOR BANDA SONORA EN PELÍCULA DOCUMENTAL 
BLUE PLANET II, Hans Zimmer, Jacob Shea y David Fleming
BOSTON, Jeff Beal
EARTH: ONE AMAZING DAY, Alex Heffes
JANE, Philip Glass
MULLY, Benjamin Wallfisch

MEJOR BANDA SONORA EN SERIE DE TV
ALIAS GRACE, Jeff Danna y Mychael Danna
GAME OF THRONES, Ramin Djawadi
ONNA JÔSHU NAOTORA, Yôko Kanno
THE ORVILLE, Bruce Broughton, John Debney, Joel McNeely y Andrew Cottee
TIEMPOS DE GUERRA, Federico Jusid

MEJOR BANDA SONORA EN VIDEOJUEGO O MEDIO INTERACTIVO
DEFORMERS, Austin Wintory
DIVIDE, Chris Tilton
GET EVEN, Olivier Deriviére
RIME, David García Díaz
VALKYRIA: AZURE REVOLUTION, Yasunori Mitsuda

MEJOR RELANZAMIENTO O REGRABACIÓN DE UNA BANDA SONORA 
BEN-HUR, Miklós Rózsa (Tadlow)
CLOSE ENCOUNTERS OF THE THIRD KIND, John Williams (La-La Land)
DAMNATION ALLEY, Jerry Goldsmith (Intrada)
DUEL IN THE SUN, Dimitri Tiomkin (Tadlow/Prometheus)
E.T. THE EXTRA-TERRESTRIAL, John Williams (La-La Land)

MEJOR COMPILACIÓN 
CAPTAINS COURAGEOUS: THE FRANZ WAXMAN COLLECTION, Franz Waxman (Intrada)
DEBBIE WISEMAN: LIVE AT THE BARBICAN, Debbie Wiseman (Silva Screen)
JOHN WILLIAMS AND STEVEN SPIELBERG: THE ULTIMATE COLLECTION, John Williams (Sony Classical)
THRILLER, Jerry Goldsmith (Tadlow)
THE WILD WILD WEST, Varios (La-La Land)

MEJOR COMPAÑÍA DISCOGRÁFICA
CALDERA RECORDS, Stephan Eicke
INTRADA RECORDS, Douglass Fake and Roger Feigelson
LA-LA LAND RECORDS, MV Gerhard and Matt Verboys
QUARTET RECORDS, José M. Benitez
TADLOW MUSIC, James Fitzpatrick

Tags: IFMCA Awards / mejor música

Nominados a los International Film Music Critics Association Awards

- 08/02/18 7 Comentarios

- John Williams es el compositor más nominado seguido por Michael Giacchino, Alexandre Desplat y Daniel Pemberton

- Tres de las bandas sonoras nominadas al Oscar compiten por el premio principal

- Los ganadores se anunciarán el 22 de febrero

BANDA SONORA DEL AÑO 

PHANTOM THREAD, music by Jonny Greenwood
THE POST, music by John Williams
THE SHAPE OF WATER, music by Alexandre Desplat
STAR WARS: THE LAST JEDI, music by John Williams
WAR FOR THE PLANET OF THE APES, music by Michael Giacchino

COMPOSITOR DEL AÑO
ALEXANDRE DESPLAT
MICHAEL GIACCHINO
DANIEL PEMBERTON
BENJAMIN WALLFISCH
JOHN WILLIAMS

COMPOSITOR REVELACIÓN
MICHAEL ABELS
ANNE-KATHRIN DERN
GEORGE KALLIS
ALEJANDRO VIVAS
CHRISTOPHER WILLIS

MEJOR COMPOSICIÓN DEL AÑO
“End Credits” de WAR FOR THE PLANET OF THE APES, Michael Giacchino
“Finale” de STAR WARS: THE LAST JEDI, John Williams
“Growing Up in Londinium” de KING ARTHUR: LEGEND OF THE SWORD, Daniel Pemberton
“Justice” de MURDER ON THE ORIENT EXPRESS, Patrick Doyle
“Love” de THE BOSS BABY, Hans Zimmer, Steve Mazzaro y Conrad Pope

MEJOR BANDA SONORA EN PELÍCULA DRAMÁTICA
ALL THE MONEY IN THE WORLD, Daniel Pemberton
DARKEST HOUR, Dario Marianelli
MURDER ON THE ORIENT EXPRESS, Patrick Doyle
PHANTOM THREAD, Jonny Greenwood
THE POST, John Williams

MEJOR BANDA SONORA EN PELÍCULA DE COMEDIA
THE DEATH OF STALIN, Christopher Willis
DOWNSIZING, Rolfe Kent
KNOCK, Cyrille Aufort
PADDINGTON 2, Dario Marianelli
THEIR FINEST, Rachel Portman

MEJOR BANDA SONORA EN PELÍCULA DE ACCIÓN/AVENTURA/THRILLER
A CURE FOR WELLNESS, Benjamin Wallfisch
JUMANJI: WELCOME TO THE JUNGLE, Henry Jackman
KING ARTHUR: LEGEND OF THE SWORD, Daniel Pemberton
PLAN DE FUGA, Pascal Gaigne
THE RENDEZVOUS, Austin Wintory

MEJOR BANDA SONORA EN PELÍCULA DE FANTASÍA/CIENCIA FICCIÓN/TERROR 
GET OUT, Michael Abels
THE SHAPE OF WATER, Alexandre Desplat
STAR WARS: THE LAST JEDI, John Williams
VALERIAN AND THE CITY OF A THOUSAND PLANETS, Alexandre Desplat
WAR FOR THE PLANET OF THE APES, Michael Giacchino

MEJOR BANDA SONORA EN PELÍCULA DE ANIMACIÓN
CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE, Theodore Shapiro
COCO, Michael Giacchino
THE EMOJI MOVIE, Patrick Doyle
FERDINAND, John Powell
LOVING VINCENT, Clint Mansell

MEJOR BANDA SONORA EN PELÍCULA DOCUMENTAL 
BLUE PLANET II, Hans Zimmer, Jacob Shea y David Fleming
BOSTON, Jeff Beal
EARTH: ONE AMAZING DAY, Alex Heffes
JANE, Philip Glass
MULLY, Benjamin Wallfisch

MEJOR BANDA SONORA EN SERIE DE TV
ALIAS GRACE, Jeff Danna y Mychael Danna
GAME OF THRONES, Ramin Djawadi
ONNA JÔSHU NAOTORA, Yôko Kanno
THE ORVILLE, Bruce Broughton, John Debney, Joel McNeely y Andrew Cottee
TIEMPOS DE GUERRA, Federico Jusid

MEJOR BANDA SONORA EN VIDEOJUEGO O MEDIO INTERACTIVO
DEFORMERS, Austin Wintory
DIVIDE, Chris Tilton
GET EVEN, Olivier Deriviére
RIME, David García Díaz
VALKYRIA: AZURE REVOLUTION, Yasunori Mitsuda

MEJOR RELANZAMIENTO O REGRABACIÓN DE UNA BANDA SONORA 
BEN-HUR, Miklós Rózsa (Tadlow)
CLOSE ENCOUNTERS OF THE THIRD KIND, John Williams (La-La Land)
DAMNATION ALLEY, Jerry Goldsmith (Intrada)
DUEL IN THE SUN, Dimitri Tiomkin (Tadlow/Prometheus)
E.T. THE EXTRA-TERRESTRIAL, John Williams (La-La Land)

MEJOR COMPILACIÓN 
CAPTAINS COURAGEOUS: THE FRANZ WAXMAN COLLECTION, Franz Waxman (Intrada)
DEBBIE WISEMAN: LIVE AT THE BARBICAN, Debbie Wiseman (Silva Screen)
JOHN WILLIAMS AND STEVEN SPIELBERG: THE ULTIMATE COLLECTION, John Williams (Sony Classical)
THRILLER, Jerry Goldsmith (Tadlow)
THE WILD WILD WEST, Varios (La-La Land)

MEJOR COMPAÑÍA DISCOGRÁFICA
CALDERA RECORDS, Stephan Eicke
INTRADA RECORDS, Douglass Fake and Roger Feigelson
LA-LA LAND RECORDS, MV Gerhard and Matt Verboys
QUARTET RECORDS, José M. Benitez
TADLOW MUSIC, James Fitzpatrick

Tags: IFMCA Awards / mejor música

Ganadores de los International Film Music Critics Association Awards

- 23/02/17 4 Comentarios

- 'La llegada' consigue el premio a la Mejor BSO y Michael Giacchino es nombrado Mejor Compositor
- Justin Hurwtiz logra dos reconocimientos por su trabajo para 'La La Land'

BANDA SONORA DEL AÑO 

ARRIVAL, Jóhann Jóhannsson
FANTASTIC BEASTS AND WHERE TO FIND THEM, James Newton Howard
LA LA LAND, Justin Hurwitz
NOCTURNAL ANIMALS, Abel Korzeniowski
LA TORTUE ROUGE [THE RED TURTLE], Laurent Perez del Mar

COMPOSITOR DEL AÑO
ALEXANDRE DESPLAT
MICHAEL GIACCHINO
JAMES NEWTON HOWARD
JUSTIN HURWITZ
FERNANDO VELÁZQUEZ

COMPOSITOR REVELACIÓN
CHAD CANNON
KYLE DIXON Y MICHAEL STEIN
SIMON FRANGLEN
DANIEL HART
JUSTIN HURWITZ

MEJOR COMPOSICIÓN DEL AÑO
“Epilogue” de LA LA LAND, Justin Hurwitz
“Light of the Seven” de GAME OF THRONES, Ramin Djawadi
“Montage” de SWISS ARMY MAN, Andy Hull y Robert McDowell
“Night on the Yorktown” de STAR TREK BEYOND, Michael Giacchino
“The Master of the Mystic End Credits” de DOCTOR STRANGE, Michael Giacchino

MEJOR BANDA SONORA EN PELÍCULA DRAMÁTICA
AH-GA-SSI [THE HANDMAIDEN], Jo Yeong-Wook
HIGH-RISE, Clint Mansell
THE LIGHT BETWEEN OCEANS, Alexandre Desplat
MOONLIGHT, Nicholas Britell
NOCTURNAL ANIMALS, Abel Korzeniowski

MEJOR BANDA SONORA EN PELÍCULA DE COMEDIA
EDDIE THE EAGLE, Matthew Margeson
HAIL, CAESAR!, Carter Burwell
LA LA LAND, Justin Hurwitz
THE NICE GUYS, John Ottman and David Buckley
SWISS ARMY MAN, Andy Hull y Robert McDowell

MEJOR BANDA SONORA EN PELÍCULA DE ACCIÓN/AVENTURA/THRILLER
ELLE, Anne Dudley
THE JUNGLE BOOK, John Debney
THE MAGNIFICENT SEVEN, James Horner y Simon Franglen
NERVE, Rob Simonsen
XI YOU JI ZHI: SUN WUKONG SAN DA BAIGU JING [THE MONKEY KING 2], Christopher Young

MEJOR BANDA SONORA EN PELÍCULA DE FANTASÍA/CIENCIA FICCIÓN/TERROR 
ARRIVAL, Jóhann Jóhannsson
BELLEROFONTE [DARK WAVES], Alexander Cimini
DOCTOR STRANGE, Michael Giacchino
FANTASTIC BEASTS AND WHERE TO FIND THEM, James Newton Howard
THE NEON DEMON, Cliff Martinez

MEJOR BANDA SONORA EN PELÍCULA DE ANIMACIÓN
KUBO AND THE TWO STRINGS, Dario Marianelli
MOANA, Mark Mancina
THE SECRET LIFE OF PETS, Alexandre Desplat
LA TORTUE ROUGE [THE RED TURTLE], Laurent Perez del Mar
ZOOTOPIA, Michael Giacchino

MEJOR BANDA SONORA EN PELÍCULA DOCUMENTAL 
JÄRVEN TARINA [TALE OF A LAKE], Panu Aaltio
PAPER LANTERNS, Chad Cannon
PLANET EARTH II, Hans Zimmer, Jasha Klebe y Jacob Shea
LES SAISONS [SEASONS], Bruno Coulais
SPAIN IN A DAY, Alberto Iglesias

MEJOR BANDA SONORA EN SERIE DE TV
GAME OF THRONES, Ramin Djawadi
THE NIGHT MANAGER, Víctor Reyes
PENNY DREADFUL, Abel Korzeniowski
STRANGER THINGS, Kyle Dixon y Michael Stein
WESTWORLD, Ramin Djawadi

MEJOR BANDA SONORA EN VIDEOJUEGO O MEDIO INTERACTIVO
ABZÛ, Austin Wintory
THE BANNER SAGA 2, Austin Wintory
THE DWARVES, Benny Oschmann
THE LAST GUARDIAN, Takeshi Furukawa
RECORE, Chad Seiter

MEJOR RELANZAMIENTO O REGRABACIÓN DE UNA BANDA SONORA 
THE BLUE MAX, Jerry Goldsmith (Tadlow)
CHINATOWN, Jerry Goldsmith (Intrada)
GOJIRA [GODZILLA], Akira Ifukube (King)
THE TEN COMMANDMENTS, Elmer Bernstein (Intrada)
THE THIEF OF BAGDAD, Miklós Rózsa (Tadlow/Prometheus)

MEJOR COMPILACIÓN 
ARCHIPIELAGO: A FILM MUSIC RETROSPECTIVE, Alberto Iglesias (Quartet)
THE CINEMA OF QUINCY JONES, Quincy Jones (Écoutez le Cinéma)
EARLY WORKS, Abel Korzeniowski (Caldera)
EPIC HOLLYWOOD: THE MUSIC OF MIKLÓS RÓZSA, Miklós Rózsa (Tadlow)
THE JOHN WILLIAMS JURASSIC PARK COLLECTION, John Williams (La-La Land)

MEJOR COMPAÑÍA DISCOGRÁFICA
INTRADA RECORDS, Douglass Fake y Roger Feigelson
LA-LA LAND RECORDS, MV Gerhard y Matt Verboys
QUARTET RECORDS, José María Benítez
TADLOW MUSIC, James Fitzpatrick
VARÈSE SARABANDE, Robert Townson

Tags: IFMCA Awards

Nominados a los International Film Music Critics Association Awards

- 09/02/17 6 Comentarios

- Justin Hurwitz y Michael Giacchino consiguen cinco candidaturas
- El español Fernando Velázquez es uno de los nominados al premio al mejor compositor
- Los ganadores se anunciarán el 23 de febrero

BANDA SONORA DEL AÑO 

ARRIVAL, Jóhann Jóhannsson
FANTASTIC BEASTS AND WHERE TO FIND THEM, James Newton Howard
LA LA LAND, Justin Hurwitz
NOCTURNAL ANIMALS, Abel Korzeniowski
LA TORTUE ROUGE [THE RED TURTLE], Laurent Perez del Mar

COMPOSITOR DEL AÑO
ALEXANDRE DESPLAT
MICHAEL GIACCHINO
JAMES NEWTON HOWARD
JUSTIN HURWITZ
FERNANDO VELÁZQUEZ

COMPOSITOR REVELACIÓN
CHAD CANNON
KYLE DIXON Y MICHAEL STEIN
SIMON FRANGLEN
DANIEL HART
JUSTIN HURWITZ

MEJOR COMPOSICIÓN DEL AÑO
“Epilogue” de LA LA LAND, Justin Hurwitz
“Light of the Seven” de GAME OF THRONES, Ramin Djawadi
“Montage” de SWISS ARMY MAN, Andy Hull y Robert McDowell
“Night on the Yorktown” de STAR TREK BEYOND, Michael Giacchino
“The Master of the Mystic End Credits” de DOCTOR STRANGE, Michael Giacchino

MEJOR BANDA SONORA EN PELÍCULA DRAMÁTICA
AH-GA-SSI [THE HANDMAIDEN], Jo Yeong-Wook
HIGH-RISE, Clint Mansell
THE LIGHT BETWEEN OCEANS, Alexandre Desplat
MOONLIGHT, Nicholas Britell
NOCTURNAL ANIMALS, Abel Korzeniowski

MEJOR BANDA SONORA EN PELÍCULA DE COMEDIA
EDDIE THE EAGLE, Matthew Margeson
HAIL, CAESAR!, Carter Burwell
LA LA LAND, Justin Hurwitz
THE NICE GUYS, John Ottman and David Buckley
SWISS ARMY MAN, Andy Hull y Robert McDowell

MEJOR BANDA SONORA EN PELÍCULA DE ACCIÓN/AVENTURA/THRILLER
ELLE, Anne Dudley
THE JUNGLE BOOK, John Debney
THE MAGNIFICENT SEVEN, James Horner y Simon Franglen
NERVE, Rob Simonsen
XI YOU JI ZHI: SUN WUKONG SAN DA BAIGU JING [THE MONKEY KING 2], Christopher Young

MEJOR BANDA SONORA EN PELÍCULA DE FANTASÍA/CIENCIA FICCIÓN/TERROR 
ARRIVAL, Jóhann Jóhannsson
BELLEROFONTE [DARK WAVES], Alexander Cimini
DOCTOR STRANGE, Michael Giacchino
FANTASTIC BEASTS AND WHERE TO FIND THEM, James Newton Howard
THE NEON DEMON, Cliff Martinez

MEJOR BANDA SONORA EN PELÍCULA DE ANIMACIÓN
KUBO AND THE TWO STRINGS, Dario Marianelli
MOANA, Mark Mancina
THE SECRET LIFE OF PETS, Alexandre Desplat
LA TORTUE ROUGE [THE RED TURTLE], Laurent Perez del Mar
ZOOTOPIA, Michael Giacchino

MEJOR BANDA SONORA EN PELÍCULA DOCUMENTAL 
JÄRVEN TARINA [TALE OF A LAKE], Panu Aaltio
PAPER LANTERNS, Chad Cannon
PLANET EARTH II, Hans Zimmer, Jasha Klebe y Jacob Shea
LES SAISONS [SEASONS], Bruno Coulais
SPAIN IN A DAY, Alberto Iglesias

MEJOR BANDA SONORA EN SERIE DE TV
GAME OF THRONES, Ramin Djawadi
THE NIGHT MANAGER, Víctor Reyes
PENNY DREADFUL, Abel Korzeniowski
STRANGER THINGS, Kyle Dixon y Michael Stein
WESTWORLD, Ramin Djawadi

MEJOR BANDA SONORA EN VIDEOJUEGO O MEDIO INTERACTIVO
ABZÛ, Austin Wintory
THE BANNER SAGA 2, Austin Wintory
THE DWARVES, Benny Oschmann
THE LAST GUARDIAN, Takeshi Furukawa
RECORE, Chad Seiter

MEJOR RELANZAMIENTO O REGRABACIÓN DE UNA BANDA SONORA 
THE BLUE MAX, Jerry Goldsmith (Tadlow)
CHINATOWN, Jerry Goldsmith (Intrada)
GOJIRA [GODZILLA], Akira Ifukube (King)
THE TEN COMMANDMENTS, Elmer Bernstein (Intrada)
THE THIEF OF BAGDAD, Miklós Rózsa (Tadlow/Prometheus)

MEJOR COMPILACIÓN 
ARCHIPIELAGO: A FILM MUSIC RETROSPECTIVE, Alberto Iglesias (Quartet)
THE CINEMA OF QUINCY JONES, Quincy Jones (Écoutez le Cinéma)
EARLY WORKS, Abel Korzeniowski (Caldera)
EPIC HOLLYWOOD: THE MUSIC OF MIKLÓS RÓZSA, Miklós Rózsa (Tadlow)
THE JOHN WILLIAMS JURASSIC PARK COLLECTION, John Williams (La-La Land)

MEJOR COMPAÑÍA DISCOGRÁFICA
INTRADA RECORDS, Douglass Fake y Roger Feigelson
LA-LA LAND RECORDS, MV Gerhard y Matt Verboys
QUARTET RECORDS, José María Benítez
TADLOW MUSIC, James Fitzpatrick
VARÈSE SARABANDE, Robert Townson

Tags: IFMCA Awards / mejor música

Ganadores de los International Film Music Critics Association Awards

- 18/02/16 2 Comentarios

- Tres premios para John Williams por 'El despertar de la Fuerza'
- Ennio Morricone se va de vacío pese a sus 4 nominaciones
- La serie española 'Carlos, Rey Emperador' se lleva el premio en la categoría de TV

BANDA SONORA DEL AÑO 

Cinderella, Patrick Doyle

The Hateful Eight, Ennio Morricone
Jupiter Ascending, Michael Giacchino
Star Wars: The Force Awakens, John Williams
Wolf Totem, James Horner

COMPOSITOR DEL AÑO
Michael Giacchino
James Horner
Ennio Morricone
Daniel Pemberton
John Williams

COMPOSITOR REVELACIÓN
Cat’s Eyes (Faris Badwan y Rachel Zeffira)
Gareth Coker
Ludwig Göransson
Maurizio Malagnini
Diego Navarro

MEJOR COMPOSICIÓN DEL AÑO
“L’Ultima Diligenza di Red Rock” de The Hateful Eight, Ennio Morricone
“Brothers in Arms” de Mad Max: Fury Road, Tom Holkenborg
“The Jedi Steps and Finale” de Star Wars: The Force Awakens, John Williams
“Pin-Ultimate Experience” de Tomorrowland, Michael Giacchino
“Return to the Wild” de Wolf Totem, James Horner

MEJOR BANDA SONORA EN PELÍCULA DRAMÁTICA
Carol, Carter Burwell
Creed, Ludwig Göransson
Far From the Madding Crowd, Craig Armstrong
The Hateful Eight, Ennio Morricone
Wolf Totem, James Horner

MEJOR BANDA SONORA EN PELÍCULA DE COMEDIA
Krampus, Douglas Pipes
The Lady in the Van, George Fenton
La Rançon de la Gloire, Michel Legrand
The Second Best Exotic Marigold Hotel, Thomas Newman
Spy, Theodore Shapiro

MEJOR BANDA SONORA EN PELÍCULA DE ACCIÓN/AVENTURA/THRILLER
Kingsman: The Secret Service, Henry Jackman y Matthew Margeson
The Man from U.N.C.L.E., Daniel Pemberton
Mission: Impossible - Rogue Nation, Joe Kraemer
The Revenant, Ryuichi Sakamoto, Alva Noto y Bryce Dessner
Tom Sawyer and Huckleberry Finn, Robert Gulya

MEJOR BANDA SONORA EN PELÍCULA DE FANTASÍA/CIENCIA FICCIÓN/TERROR 
Cinderella, Patrick Doyle
Crimson Peak, Fernando Velázquez
Jupiter Ascending, Michael Giacchino
Mad Max: Fury Road,Tom Holkenborg
Star Wars: The Force Awakens, John Williams

MEJOR BANDA SONORA EN PELÍCULA DE ANIMACIÓN
Atrapa la Bandera, Diego Navarro
Gamba, Benjamin Wallfisch
The Good Dinosaur, Mychael Danna y Jeff Danna
Inside Out, Michael Giacchino
Kahlil Gibran’s The Prophet, Gabriel Yared

MEJOR BANDA SONORA EN PELÍCULA DOCUMENTAL 
The Great Human Odyssey, Darren Fung
He Named Me Malala, Thomas Newman
Human, Armand Amar
The Hunt, Steven Price
I Am Big Bird: The Carroll Spinney Story, Joshua Johnson

MEJOR BANDA SONORA EN SERIE DE TV
Carlos, Rey Emperador, Federico Jusid
Fargo, Jeff Russo
Outlander, Bear McCreary
Texas Rising, Bruce Broughton y John Debney
Wolf Hall, Debbie Wiseman

MEJOR BANDA SONORA EN VIDEOJUEGO O MEDIO INTERACTIVO
Assassin’s Creed: Syndicate, Austin Wintory
Everybody’s Gone to the Rapture,Jessica Curry
Ori and the Blind Forest, Gareth Coker
Revelation, Neal Acree
Sid Meier’s Civilization: Beyond Earth - Rising Tide, Geoff Knorr, Griffin Cohen y Grant Kirkhope

MEJOR RELANZAMIENTO DE UNA BANDA SONORA 
A.I.: Artificial Intelligence, John Williams
Braveheart, James Horner
Dances With Wolves, John Barry
Jaws, John Williams
Obsession, Bernard Herrmann

MEJOR REGRABACIÓN DE UNA BANDA SONORA
Back in Time: 1985 at the Movies (Varios)
Concert Suites/Music For Films (Fernando Velázquez)
Obsession (Bernard Herrmann)
Sodom and Gomorrah (Miklós Rózsa)
The Music of Patrick Doyle for Solo Piano (Patrick Doyle)

MEJOR COMPILACIÓN 
Alan Silvestri: World Soundtrack Awards (Alan Silvestri)
Double Indemnity: Film Noir at Paramount (Varios)
Lost in Space: 50th Anniversary Soundtrack Collection (Varios)
Mission: Impossible - The Television Scores (Varios)
Walt Disney Records: The Legacy Collection (Varios)

MEJOR COMPAÑÍA DISCOGRÁFICA
Intrada Records, Douglass Fake, Roger Feigelson
La-La Land Records, MV Gerhard, Matt Verboys
Quartet Records, José M. Benitez
Tadlow Music, James Fitzpatrick
Varése Sarabande, Robert Townson